Recognition of Indian art, culture and achievement internationally

ManavantraTruti

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Jan 25, 2018
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This is the rendition of "Maithreem Bhajata" composed in Sanskrit by Late Jagadguru Shri Chandrasekharendra Saraswati (68th Shankaracharya of Kanchi). The video has english translations embedded in it.

It was rendered at the United Nations on Oct. 23, 1966 on the occasion of the UN day, by Bharat Ratna Smt.M.S.Subbulakshmi. (who was also a "devdasi")

 
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Is it relevent to this thread?

I felt so and I posted it. You have a problem with it, then report to the guys above.

UN felt it important enough to release a stamp in her honor. Its shows our soft power.
PSS_Subbulakshmi_2016_m-600x600.jpg
 
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This thread is mainly to track and discuss India's entry to various International bodies. Only reasonI asked because this content would be better suited to some other existing threads or maybe a new thread of its own to celebrate Indian achivements internationally.

I hope you understand that India was not part of these international bodies due to India's status as a "Dalit" nation in the community of Nations.

India was an outcast and you might want to wonder WHY we were treated as Pariahs. It had very much to do with our religion and ethnicity and this isolation was a example of THEIR soft power that named and shamed us for daring to be different and independent.

Which is why if we have to regain our positions in this world it has to be on our own terms. Make the world respect OUR ideas and our values. Now think about this for a minute or two. Understand the reality of the world we live in.
 
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Indian architect BV Doshi wins 'Nobel for architecture'

WASHINGTON: Balkrishna Doshi, the legendary Indian architect who designs not just buildings but institutions, is being honored with the Pritzker Architecture Prize, the Nobel equivalent for the field, it was announced on Wednesday.

The Pune-born Doshi, who is 90, is the first Indian to receive the honor, the highest in the profession. Previous winners include world-renowned architects like Zaha Hadid, Frank Gehry, IM Pei, and Shigeru Ban.

"Over the years, Balkrishna Doshi has always created an architecture that is serious, never flashy or a follower of trends. With a deep sense of responsibility and a desire to contribute to his country and its people through high quality, authentic architecture, he has created projects for public administrations and utilities, educational and cultural institutions, and residences for private clients, among others," the Pritzker jury said in its announcement.

An alumnus of the JJ School of Architecture in Mumbai, Doshi worked with the legendary Le Corbusier in Paris in the 1950 before returning to India to supervise the architect's projects. He established his studio Vastu-Shilpa (environmental design) in 1955 and worked with Louis Kahn and Anant Raje in designing the campus of the Indian Institute of Management, Ahmedabad. He would go on to design IIMs in Bangalore and Lucknow, the National Institute of Fashion Technology, Tagore Memorial Hall, the Institute of Indology in Ahmedabad, among other fine campuses and buildings across India, besides many low-cost housing projects.

He is also known as an institution builder: the first founder Director of the School of Architecture, Ahmedabad, first founder Director of the School of Planning, first founder Dean of the Centre for Environmental Planning and Technology (whose building he also designed), founder member of the Visual Arts Centre, Ahmedabad and first founder Director of the Kanoria Centre for Arts, Ahmedabad.

"My works are an extension of my life, philosophy and dreams trying to create treasury of the architectural spirit. I owe this prestigious prize to my guru, Le Corbusier. His teachings led me to question identity and compelled me to discover new regionally adopted contemporary expression for a sustainable holistic habitat," Doshi said in response to the honor.

Doshi came from a family of furniture makers, and in one interview he credited his early architecture inspiration to his grandfather's house, upon which new levels were repeatedly added to accommodate a large joint family of three uncles and their families.

"I always sensed the space as alive," Doshi recalled in that interview to National Public Radio. "Space and light and the kind of movement that gets into the space for me are very, very significant. That's what generates a dialogue. That's what generates activities. And that's where you begin to become part of life. My architecture philosophy is: Architecture is a backdrop for life."

Another time, he compared his architecture to a celebratory Indian meal, with lots of elements meant to be consumed in any order, rather than sequentially; diners may experience the meal however they please.